The first kind of writer’s block is the dreaded blank slate. It’s that intimidating phase of creation where the entire universe of possibility is open before you, and you can’t write one shred of it because you don’t know where to even begin, perhaps even what to write at all.

I don’t often lack for ideas. But, even with some broad-storke notions of what to write, I still have to zero in on something concrete, something compelling.

The second kind of writer’s block is getting stuck in the middle of a story. You’ve got characters in some situation, and you may even have a general idea where you want them to be later in the story. But, as a writer you hit that wall and you’re not sure how to move them into the next step in the story. This kind of block has its own challenges and frustrations as a writer. But, at least  you know you’ve gotten somewhere.

Right now, I’m working on a short story and I’ve hit that second writer’s block. It’s a turning point in the story. I even know where I want the characters to be. But, I can’t yet get them there.

Some writers have great advice about overcoming these problems. Some even publish about the topic. My advice is recognize a couple important things as a writer.

First, it doesn’t much matter if you’re a literary genius or a best seller. Even if you are, you aren’t going to write or sell nothing. Accept living in your own skin. Accept your own ideas as intrinsically worthy to the most important person in your life — you.

Second, don’t try too hard to look outside yourself for solutions. Take a break. Go live. Read and watch other media. Read. Do what you do to rejuvenate. Those things will get your brain working again. Don’t worry if you feel like you’re “stealing ideas” by reading other material. If you’re really into writing, your brain can’t help itself. It will think up ideas in your own way. That is creation.

Third, if you have the option, let someone read what you’ve written so far. Some people don’t like to do this. I’m mixed on it myself. But often, another reader will see exactly the corner you’ve painted yourself into. And, often, they’ll say something obvious that you can’t see, like “Why in the world would this guy say that?” Answer that question, and the dam’s likely to break. You may have to ask questions, and that’s ok. The notion that we are alone in writing our work, and that others don’t contribute to the creation is pretty foolish.

Now, if I can just get myself out of that corner I’ve painted myself into…

I floundered around for ideas, but the one I couldn’t keep out of my head was simple and straightforward. I think it’ll become part of a larger piece I put together. It’s about a guy who comes back to Iowa because his Dad’s been missing for months, and he needs to put his Dad’s things in order. I’m still working on even the very short vignette, but I surprised myself with some details:

The refrigerator thrummed needlessly. Mitch stood, scratching his torso beneath his wrinkled white tee, staring at the empty wire racks. Only a paper plate sprinkled with baking soda remained. His sister Julia had cleaned the house in the summer, when the rotten things within had shriveled, forgotten and neglected in those strange weeks when everyone they knew trekked through the spring mud expecting any moment to find Charlie Hammond’s dead body. When they all stopped looking Mitch went back to work and Julia spent a day throwing out her father’s foil-covered Tupperware filled with mold and muck and pouring out a slush of milk that curled in her nostrils and reached down to yank at her insides. She drank one of her daddy’s last beers – a Michelob Light –  alone, sobbing on the kitchen floor until school let out for the day.